blogpost2Between now and the end of the year, we will be attending a number of events across the globe where you can meet with us. And starting as early as this week.

 

27th of September, Frankfurt – Gameplaces

Diane will be speaking there, specifically on games and investments.

 

10th to 13th of October, Austin – GDC Online

This is an usual rendez-vous for us as we will be meeting with partners as well as sitting in sessions, checking for the trends of the online space.

 

7th to 9th of November, Daegu – KGC 2011

I (Thomas) will be speaking at KGC 2011, ahead of the Gstar. I present a general overview of the European market for online games. And (hopefully), it should the opportunity for us to update the aging presentations we have on slideshare on that topic.

 

10th to 13th of November, Busan – Gstar

We will have a booth in the B2B area of the Gstar. More details on this when we are closer to the date, but you can expect that if you want to meet us, it will be easy.

 

6th to 8th of december, Paris – Game Connection Europe

Another of our regular haunts, we have just confirmed that we will be there again. The event has moved to Paris (an excellent move in my opinion) and now also has a conference component. If you are not familiar with the event format, just think speed dating between publishers, developers and service providers  of the games industry.

 

As we add more clients, it is now time to develop our team, and so we are back on the hiring track – and this time we are looking for another Frenchman or -woman (French speakers from Belgium, Switzerland, Quebec, North Africa… are also very welcome of course) to work with us on the PR side of ICO Partners, ICO Media.

 

Below is the description of the profile we would be looking for, along with the responsibilities this person would handle.

 

Who we need: A flexible, autonomous and motivated communications professional with a passion for online video games

 

Skills and requirements:

●Graduate in public relations, journalism, marketing or related programme

●Native French speaker

●Fluent in English (other European language a plus)

●Minimum 1 year’s experience in a position involving direct contact with the media

●Autonomous, with good organisational and planning skills

●Able to work to short deadlines and under pressure

●Strong communication skills, both spoken and written

●Sound judgement in dealing with media

●Ability to work with and analyse data

●Self-motivation and sense of initiative

●Strong business acumen

●Interest and knowledge of online games

●Skills and experience in online marketing is a strong plus

 

Responsibilities:

●Managing direct relationships with journalists in several European territories

●Writing and/or translation of Press Releases and Media Alerts

●Developing and updating media lists and contact databases

●Participating in daily media relations tasks, including collection and analysis of press coverage, reporting, organization of events, working with related service providers to support projects, etc.

●Assisting with market research projects

●Participating in product testing as required

Remuneration : To be discussed with the candidate, based on experience

 

Location : Brighton, UK

Reports to: PR and Marketing Manager

Hours: Full-time, 37.5 hours per week

If you are a motivated person passionate about online games, and the above description did not scare you, please don’t hesitate to send us a CV and cover letter at jobs@icopartners.com

A bientôt!

 

logo2_longform_750x750Come work with us ! ICO is looking for an experienced German native to join its media relations team providing PR services and consulting on some of the best online games in Europe. The position is based in Brighton, UK, and all other information is below. If you’re interested, send your CV to jobs@icopartners.com !

 

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Time has zoomed past so quickly in the run-up to gamescom this year that we only just remembered to mention that we’re going. But hey, you already knew we’d be there!

 

Our booth is in Hall 4.2, Aisle G, No. 041. If you’re around, come on by. It’s quite likely you’ll find Thomas there, and we’re also hosting Doublesix as they demo their upcoming game Strike Suit Zero. As for everyone else, we’ll be spread out a bit from Weds to Fri:

 

• Diane will be in Hall 4.1, Aisle D, No. 014 with NHN Corporation (ASTA, Trinity 2, Born to Fire, Fishing Hero)

• Julien will be with Hi-Rez in Hall 4.1, Aisle C, No. 019, managing press meetings for Tribes: Ascend and SMITE

• I (Jen) will be managing the press schedule for Riot Games (League of Legends) in Hall 4.1, Aisle G, No. 032

 

Normal service (whatever that is!) will resume on the 22nd. See you on the other side…

 

igdasmtLast week in Seattle, the IGDA put together its first Summits. The event was organised parallel to (and in partnership with) Casual Connect. I was drafted to help put together the content for the Monetisation summit, and sat in a few sessions that were particularly interesting to me (one perk of having a say on what the topics will be!).

If you missed some of my comments on twitter, or more likely if you just unfollowed me after the spam (you can follow me again, the event is over, I will behave in the coming weeks), I have put together here some of my notes on the Fighting Fraud panel and the Kickstarter panel.

These are my rough notes of what was discussed. If I got anything wrong, please let me know.

 

Fighting Fraud Panel

Moderator Sanjay SARATHI (Vindicia)

Panelists Robin WALKER (Valve), Arthur CHU (Nexon), Michael LIBERTY (Paypal)

 

The panel objective was to educate on what you can do to fight fraud, and it was aimed an audience with limited knowledge on the subject. Here are the key take aways for me:

 

Fraud is painful. Fraud is difficult to fight. Fraudsters will always be very creative in bypassing your system, and you will always have to play catch up. But you really can’t ignore it. Before anything else, the first thing to do is to make sure you can measure fraud and understand that it is happening. The moment you reach about 2% of chargebacks on your transactions (stolen credit cards were used and the money is taken back), Arthur CHU estimated you have about 2 months before it becomes a LOT more painful. However, before you reach that stage, investing heavily in fraud fighting might not be necessary.

 

One fight at a time. Michael LIBERTY made a very good point on the fact that if you are not a big company and you are starting to charge online, it is best to go through a payment management system like Paypal (Michael’s company, to be fair). Until you reach a certain scale, micro-managing the payment processors and the related fraud is too time consuming.

 

Game features influence fraud. Robin WALKER pointed out that a game with a trading system was more likely to attract fraudsters. While he has a fair point, this won’t remove all fraud and it does take a serious chunk of the social features (Arthur CHU made this point in the panel very eloquently). What it emphasized was the fact  that the game design can help control fraud to a certain level: limited trial accounts, high level items “soulbound”, Gold lock systems (as in Rift). Convincing the developers to develop them is the hardest part.

 

Measure, measure, measure. Beyond measuring the fraud itself, it is also important to measure the game features that fraudsters use and abuse. To be able to fight fraud requires understanding what they do and how they do it. Leading to:

 

A tool is only as useful as the person holding it. All panelists agreed that going out and buying fraud fighting tools is useless unless you already know how you want to use them. These tools can be very efficient (for Nexon, it led to a reduction of fraud by a factor of 10), but they need to be used properly in your context. There are two kind of  tools specifically that were mentioned: geo-location and device reputation tools.

 

Understand friendly fraud from criminal fraud. All games have a number of “friendly fraud”, the typical case being kids using their parents’ credit cards without their approval. The panel recommended to, again, check the users’ activity, in order to identify friendly fraud and also to have a clear policy in place to manage it. Valve is calling really big spenders, for instance, to make sure they are aware and intended to make large purchases. Michael LIBERTY recommended kids’ games specifically to have a “generous” policy, as they were more likely to see kid-driven friendly fraud.

 

Current trends. Arthur CHU was very vocal about the increase of the number of account takeovers, and how fraudsters are getting more and more sophisticated in their attacks. Where they once launched blanket attacks to get as many accounts as possible, they now target accounts that they know are very valuable.

 

 

Kickstarter Panel

Moderator Cindy AU (Kickstarter)

Panelists Alex NICHIPORCHIK (tinyBuild Games), Wiley WIGGINS (Karakasa Games), Colleen MACKLIN (Local No. 12)

 

Kickstarter is the most prominent crowd funding website at the moment, and has been used by a number of game studios. The panel highlighted three case studies from companies that have successfully raised money through the service. Cindy AU provided very interesting information as well. I have linked the project for each panelist above, with their company name. So, some takeaways:

 

Kickstarter data. The website has successfully raised $70m across 20,000 projects to date. IIRC, the biggest project they had was a movie that raised about $500K. After submission, Kickstarter takes about 24h to greenlight a project. Once greenlit, the company can publish the project on the site when they want.

Best practices. Cindy AU gave 3 core rules to maximize your chances with your project.

Rule #1 – Make a video. The web is very much about videos nowadays, and projects with good videos are the ones that are the most successful. It doesn’t need to be super professional, but it certainly needs to clearly describe the project.

Rule #2 – Rewards are very important. Each project offers unique rewards based on the size of your pledge, and it is up to the project owner to define them. Unique, tangible rewards with a strong cool factor help their projects significantly.

Rule #3 – Leverage your existing community. If your project already has an existing community you can leverage to contribute to it, and also to spread the word, this increases the likelihood that your project will succeed. Cindy mentioned that projects with more than three backers succeed 90% of the time.

 

 

The panel made very interesting comments on the importance of designing your rewards thoughtfully. Wiley WIGGINS regretted offering a poster reward, because they didn’t calculate properly the cost and the pain of delivering them to their backers. Kickstarter doesn’t get involved in the design of rewards, and it is really up to the company to do its homework as far as costs are concerned. Reward design is very important.

Another consensus was that the duration of the pledge, the length of time allowed to reach the project’s target, didn’t need to be long. The logic is that your early backers will reach it in the first few days anyway, and then progress will be slow and regular until the very end when lurkers may decide to chip in and help.

It was also interesting to note that the Kickstarter system attracted whales in the same way. Thunderbeam offered to make $1,000 contributors their ‘best friend’, which they essentially added just for fun. They now have many new best friends.

 

I learned quite a bit from these panels, and will definitely be keeping an eye on Kickstarter – I hope they find a way to accept non-US projects down the line.

 

 

chopsticksAs Asian online games publishers expand in the West, more and more of them are opening European offices and starting operating games for the European market. This approach is in our opinion much more rewarding long-term than just licensing the games to a local publisher, but it also has it pitfalls due to the differences in consumer habits and expectations. Here are a few examples of such differences and the difficulties they can trigger. Of course, please keep in mind we have a European point of view and are aware of the specificities and differences inside Asian cultures and inside European ones – so please excuse the inevitable generalisations. Read more